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Club Magic Life Belek
 
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Отель высшего класса "Magic Life WaterWorld", расположенный в городе Белек, Турция, предлагает для своих посетителей отличные условия для хорошего и запоминающегося отдыха. В отеле имеется более 700 номеров, в которых есть необходимые туристические удобства: ванна, сплит-система, сейф, телевидение, мини-бар, телефон, балкон. Организовано регулярное обслуживание номеров. В зонах общественного пребывания работает Wi-Fi. На территории комплекса располагается несколько ресторанов, которые готовят для своих гостей блюда на любой вкус, а в барах есть большой выбор напитков и закусок. У отдыхающих есть возможность расслабиться в различных бассейнах, а также поиграв в различные подвижные игра, такие как, пляжный волейбол, мини-футбол, водное поло. Можно сходить на пляж и заняться всевозможными водными видами отдыха. Предусмотрены виды отдыха для детей, включая водные горки, игровую площадку и комнату. Отдых в этом прекрасном месте с красивой природой подарит Вам много радости и удовольствия!
Views: 1140 Politec travel
TUI FUN&SUN Club Serra Palace 5* (ex. Club Calimera Serra Palace) | Турция | Сиде
 
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Полный видео обзор отеля TUI FUN&SUN Club Serra Palace 5*. Описание гостиницы. Отзывы по гостинице TUI FUN&SUN Club Serra Palace 5*. Расположение гостиницы TUI FUN&SUN Club Serra Palace 5* на карте: https://goo.gl/maps/6kbVgjRkVR82 Этот семейный отель, расположенный на самом берегу моря с большой, зеленой территорией предлагает занятия разными видами спорта и массу развлечений для взрослых и маленьких гостей. Расположение Отель расположен на побережье Средиземного моря, в курортном районе Кызылот, в 14 км от Манавгата, в 80 км от аэропорта Анталии. Отель был построен в 2004 г. и реновирован в 2014 г. и имеет общую площадь – 150 000 кв. м. Размещение Отель состоит из 1 главного 3-этажного главного здания, пяти 2-этажных корпусов Анекс. Всего 386 номеров. Пляж Собственный песчано-галечный, первая береговая линия, протяженность 150 м, есть пирс. Пляжные полотенца, зонтики, матрасы и шезлонги – бесплатно. В номере - душ - фен - индивидуальный кондиционер - ТВ (8 российских каналов) - телефон - сейф (бесплатно) - мини-бар (пополнение 2 раза в неделю, безалкогольные напитки, пиво) - балкон (нет в Economy) - уборка в номере (ежедневно) - смена постельного белья и полотенец (3 раза в неделю) Территория - конференц-зал (200 чел., бесплатно) - обмен валюты - Wi-Fi в общественных местах (бесплатно) - парикмахерская (платно) - магазины - прачечная (платно) - аренда авто (платно) - автобус в город (общественный или шаттл-бас, платно) - услуги доктора (платно) Развлечения и спорт - 3 открытых бассейна ​- 1 крытый - аквапарк - Spa-центр бесплатно: - тренажерный зал - сауна - хаммам - аэробика - аквааэробика - теннисные корты - анимация - настольный теннис - баскетбол - футбол - мини-футбол - мини-гольф - дартс - бочча - дискотека - живая музыка платно: - массаж - освещение теннисного корта - бильярд - игровая зона - видеоигры - водные виды спорта Для детей - детский открытый бассейн - детский мини-клуб, джуниор-клуб, макси-клуб - детская анимация (на русском языке) - вечернее мини-диско - игровая площадка - детское меню (ужин) - детская кроватка (бесплатно) - детские стулья в ресторане Рестораны и бары - главный ресторан (1200 мест, есть летняя терраса) - детский ресторан (открыт 18:30-19:30) - 3 A La Carte ресторана (итальянский, рыбный, отоманский; часы работы: 18:30-20:30) - бесплатно - бар на пляже (10:00-18:00) - 2 бара у бассейна (10:00-18:00; 10:00-00:00) - лобби-бар (24 часа) - Sky-бар Питание Отель предлагает питание по системе «Ультра Все Включено» (10:00-00:00): - завтрак (07:00-10:00) - поздний завтрак (10:00-11:00) - обед (12:30-14:00) - ужин (19:00-21:00) - кофе, пирожные (16:00-17:00) в баре у бассейна/на пляже - мороженое (15:30-16:30) в баре у бассейна/на пляже - местные алкогольные и безалкогольные напитки Платно: импортные алкогольные напитки, бутылированные напитки, свежевыжатые соки. Кредитные карты ​Visa MasterCard Детский клуб Программа детского клуба TUI Тукан: - мини-дискотека - игры - пиратский день - гимнастика - олимпиада - рукоделие и прикладное творчество - академия танца - футбол - карате - баскетбол - академия тенниса - уроки плавания - языковые уроки - "Angry Birds" - шоу Примечание: Администрация отеля оставляет за собой право вносить любые изменения в концепцию отеля, в том числе о наборе платных/бесплатных услуг без предварительного уведомления. Мы просим предварительно уточнять интересующую Вас информацию. _______________________________________________________ Туры и отдых в любом уголке мира! http://psntravel.com.ua/ Звоните прямо сейчас: (066) 379 69 90 (093) 055 36 87 Viber (096) 578 88 98
Views: 8821 Psn Travel
Обзор отеля FUN&SUN Club Saphire 5* (Фан & Сан Клуб Сапфир 5*), Турция, Кемер, Текирова, VLOG
 
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Обзор отеля FUN&SUN Club Saphire 5* (Фан & Сан Клуб Сапфир 5*), Турция, Кемер, Текирова. Один из лучших отелей для отдыха с детьми в Кемере, Турция, отличная анимация, лучший детский клуб в Турции «Тукан», первая береговая линия, отличная территория, большой пляж, удобный вход в море, прекрасный ресторан.
TUI Fun & Sun Club Saphire
 
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Отель "Fun & Sun Club Saphire". Студия IDRON. Дмитрий Малышев.
Views: 14973 idron studio
Лето 2018 Tui Fun&Sun Club Saphire 5*. Обзор территории отеля.
 
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Обзор отеля Tui Fun&Sun Club Saphire 5*, расположенного в поселке Текирова (Кемер) Анталия.
Views: 4805 Mark Korniyevskiy
Limak Atlantis in Turkey with Alpharooms.com
 
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The Limak Atlantis Hotel is conveniently positioned in the attractive coastal resort of Belek, surrounded by pine trees and the sandy beach. The centre of Antalya is just a 40 minute drive away and the airport is 35 kilometres from the complex. This very fashionable hotel has a minimalist atmosphere and boasts an impressive range of facilities. The wellness spa is a haven for guests, where they can enjoy the Turkish bath, sauna, Thai foot care and massage services. There are a number of pools, including the children's pool, which, along with the Lollypop Child Club, makes this resort the perfect choice for families. In addition, shows, dancers and sketches make up the evening entertainment while the restaurant will serve a range of both exotic and traditional dishes. The guest rooms are modern and come fully equipped with all the amenities one would need for a comfortable stay, including private bathroom, mini-bar, satellite TV and air-conditioning.
Views: 106 Alpharooms
TUI BLUE Sarigerme Park, Sarigerme, Türkei
 
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Imagefilm vom Hotel TUI BLUE Sarigerme Park in der Türkei ► Bei CHECK24 bis zu 50% sparen: http://bit.ly/CHECK24_Sarigerme-Park Lage: Direkt an einem flach abfallenden Dünenstrand, einzigartig in die Relikte der antiken Stadt Phisilis integriert. Den kleinen Ort Osmanihe erreiche Sie nach ca. 10 Minuten, Marmaris nach ca. 70 Autominuten. Taxistand am Hotel. Transferdauer etwa 30 Minuten. Ausstattung: Die Anlage besteht aus einem Haupthaus und weitläufig, in einem sehr gepflegten Park, verteilten 1-stöckigen Wohnhäusern. Stilvoll eingerichtete Lobby und Aufenthaltsräume. Bücherei, Shoppingarkade, Friseur und Arzt (stundenweise). Restaurant mit Nichtraucherzone. Türkisches Cafe mit TV-Bereich (Satellitenempfang), Brettspielen und Billard. Überdachter, beheizbarer Süßwasserpool mit Liegen, Auflagen sowie einem Badelaken. Am Strand können Sie originale Strandkörbe mieten. Unterbringung: 372 komfortable und großzügig eingerichtete Zimmer mit Direktwahltelefon, Minibar, Mietsafe, Sat-TV, Musik- und Klimaanlage, Heizung, Balkon, Terrasse, Bad und WC mit Haarföhn. Zimmerservice gegen Gebühr. Sport/Unterhaltung: Tischtennis, Volleyball, Gymnastik und Fitnessraum. Gegen Gebühr Fahrradverleih und Matchpoint-Tennisschule, die auf den 6 Kunstrasen/Quarzsandplätzen zu finden ist. Türkisches Bad, Sauna, Massagen und Beautysalon. Abwechslung bieten Ihnen die Animation und Entertainement unter anderem mit Spielen, Shows und Live-Musik. _ Videobeschreibung enthält Werbeverlinkungen! Beziehungsweise Affiliate Verlinkungen!
Views: 2160 DeinHotel
Can't Stop the Feeling - Justin Timberlake Cia Daniel Saboya (Coreografia)
 
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Ajude-nos a crescer: curta o vídeo, favorite, inscreva-se no canal e, se vc gostou muito, compartilhe com seus amigos ! Passo a passo: https://youtu.be/YYxqJ0WMb04 Música: Can't Stop the Feeling Artista: Justin Timberlake Coreografia: Binho Reis ___ Nossas Redes: Facebook: http://www.facebook.com/ProfessorDani... Instagram: @ciadanielsaboya ou no PC http://instagram.com/ciadanielsaboya @danielsaboya ou no PC http://instagram.com/danielsaboya @izabelaleitelima ou no PC http://instagram.com/izabelaleitelima @rosanamariamarquez ou no PC http://instagram.com/rosanamariamarquez Loja Oficial Daniel Saboya: http://lojaoficialdanielsaboya.com.br... ­_ Gostou das nossas roupas? São do maior site de moda fashion fitness do Brasil: Dani Banani! Compre agora: http://www.danibanani.com.br Siga nas redes: Facebook: https://www.facebook.com/LojaDaniBanani Instagram: @lojadanibanani ou no PC http://instagram.com/lojadanibanani https://www.youtube.com/channel/UCuci... ­__ Contrate a Cia. Daniel Saboya para seu evento: (21) 99140-8494 Agradecimentos a Academia Rio Sport Center por ceder o espaço para Gravação: http://www.riosportcenter.com.br/
Views: 6721105 Cia. Daniel Saboya
Suspense: Sorry, Wrong Number - West Coast / Banquo's Chair / Five Canaries in the Room
 
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Banquo is a character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally to Macbeth (both are generals in the King's army) and they are together when they meet the Three Witches. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm during a public feast. Shakespeare borrowed the character of Banquo from Holinshed's Chronicles, a history of Britain published by Raphael Holinshed in 1587. In Chronicles Banquo is an accomplice to Macbeth in the murder of the king, rather than a loyal subject of the king who is seen as an enemy by Macbeth. Shakespeare may have changed this aspect of his character in order to please King James, who was thought at the time to be a descendant of the real Banquo. Critics often interpret Banquo's role in the play as being a foil to Macbeth, resisting evil where Macbeth embraces it. Sometimes, however, his motives are unclear, and some critics question his purity. He does nothing to accuse Macbeth of murdering the king, even though he has reason to believe Macbeth is responsible. Banquo's role, especially in the banquet ghost scene, has been subject to a variety of interpretations and mediums. Shakespeare's text states: "Enter Ghost of Banquo, and sits in Macbeth's place."[28] Several television versions have altered this slightly, having Banquo appear suddenly in the chair, rather than walking onstage and into it. Special effects and camera tricks also allow producers to make the ghost disappear and reappear, highlighting the fact that only Macbeth can see it.[29] Stage directors, unaided by post-production effects and camera tricks, have used other methods to depict the ghost. In the late 19th century, elaborate productions of the play staged by Henry Irving employed a wide variety of approaches for this task. In 1877 a green silhouette was used to create a ghostlike image; ten years later a trick chair was used to allow an actor to appear in the middle of the scene, and then again from the midst of the audience. In 1895 a shaft of blue light served to indicate the presence of Banquo's spirit. In 1933 a Russian director named Theodore Komisarjevsky staged a modern retelling of the play (Banquo and Macbeth were told of their future through palmistry); he used Macbeth's shadow as the ghost.[30] Film adaptations have approached Banquo's character in a variety of ways. In 1936 Orson Welles helped produce an African-American cast of the play, including Canada Lee in the role of Banquo.[30] Akira Kurosawa's 1957 adaptation Throne of Blood makes the character into Capitan Miki (played by Minoru Chiaki), slain by Macbeth's equivalent (Captain Washizu) when his wife explains that she is with child. News of Miki's death does not reach Washizu until after he has seen the ghost in the banquet scene. In Roman Polanski's 1971 adaptation, Banquo is played by acclaimed stage actor Martin Shaw, in a style reminiscent of earlier stage performances.[31] Polanski's version also emphasises Banquo's objection to Macbeth's ascendency by showing him remaining silent as the other thanes around him hail Macbeth as king.[32] in the 1990 telling of Macbeth in a New York Mafia crime family setting, "Men of Respect" the character of Banquo is named "Bankie Como" played by American actor Dennis Farina. http://en.wikipedia.org/wiki/Banquo
Views: 94533 Remember This
Dragnet: Brick-Bat Slayer / Tom Laval / Second-Hand Killer
 
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Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Views: 58211 Remember This
The Vietnam War: Reasons for Failure - Why the U.S. Lost
 
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In the post-war era, Americans struggled to absorb the lessons of the military intervention. About the book: https://www.amazon.com/gp/product/0871137992/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0871137992&linkCode=as2&tag=tra0c7-20&linkId=d1bb53399f448906b40e7c954de052ac As General Maxwell Taylor, one of the principal architects of the war, noted, "First, we didn't know ourselves. We thought that we were going into another Korean War, but this was a different country. Secondly, we didn't know our South Vietnamese allies... And we knew less about North Vietnam. Who was Ho Chi Minh? Nobody really knew. So, until we know the enemy and know our allies and know ourselves, we'd better keep out of this kind of dirty business. It's very dangerous." Some have suggested that "the responsibility for the ultimate failure of this policy [America's withdrawal from Vietnam] lies not with the men who fought, but with those in Congress..." Alternatively, the official history of the United States Army noted that "tactics have often seemed to exist apart from larger issues, strategies, and objectives. Yet in Vietnam the Army experienced tactical success and strategic failure... The...Vietnam War...legacy may be the lesson that unique historical, political, cultural, and social factors always impinge on the military...Success rests not only on military progress but on correctly analyzing the nature of the particular conflict, understanding the enemy's strategy, and assessing the strengths and weaknesses of allies. A new humility and a new sophistication may form the best parts of a complex heritage left to the Army by the long, bitter war in Vietnam." U.S. Secretary of State Henry Kissinger wrote in a secret memo to President Gerald Ford that "in terms of military tactics, we cannot help draw the conclusion that our armed forces are not suited to this kind of war. Even the Special Forces who had been designed for it could not prevail." Even Secretary of Defense Robert McNamara concluded that "the achievement of a military victory by U.S. forces in Vietnam was indeed a dangerous illusion." Doubts surfaced as to the effectiveness of large-scale, sustained bombing. As Army Chief of Staff Harold Keith Johnson noted, "if anything came out of Vietnam, it was that air power couldn't do the job." Even General William Westmoreland admitted that the bombing had been ineffective. As he remarked, "I still doubt that the North Vietnamese would have relented." The inability to bomb Hanoi to the bargaining table also illustrated another U.S. miscalculation. The North's leadership was composed of hardened communists who had been fighting for independence for thirty years. They had defeated the French, and their tenacity as both nationalists and communists was formidable. Ho Chi Minh is quoted as saying, "You can kill ten of my men for every one I kill of yours...But even at these odds you will lose and I will win." The Vietnam War called into question the U.S. Army doctrine. Marine Corps General Victor H. Krulak heavily criticised Westmoreland's attrition strategy, calling it "wasteful of American lives... with small likelihood of a successful outcome." In addition, doubts surfaced about the ability of the military to train foreign forces. Between 1965 and 1975, the United States spent $111 billion on the war ($686 billion in FY2008 dollars). This resulted in a large federal budget deficit. More than 3 million Americans served in the Vietnam War, some 1.5 million of whom actually saw combat in Vietnam. James E. Westheider wrote that "At the height of American involvement in 1968, for example, there were 543,000 American military personnel in Vietnam, but only 80,000 were considered combat troops." Conscription in the United States had been controlled by the President since World War II, but ended in 1973." By war's end, 58,220 American soldiers had been killed, more than 150,000 had been wounded, and at least 21,000 had been permanently disabled. According to Dale Kueter, "Sixty-one percent of those killed were age 21 or younger. Of those killed in combat, 86.3 percent were white, 12.5 percent were black and the remainder from other races." The youngest American KIA in the war was PFC Dan Bullock, who had falsified his birth certificate and enlisted in the US Marines at age 14 and who was killed in combat at age 15. Approximately 830,000 Vietnam veterans suffered symptoms of posttraumatic stress disorder. An estimated 125,000 Americans fled to Canada to avoid the Vietnam draft, and approximately 50,000 American servicemen deserted. In 1977, United States President Jimmy Carter granted a full, complete and unconditional pardon to all Vietnam-era draft dodgers. The Vietnam War POW/MIA issue, concerning the fate of U.S. service personnel listed as missing in action, persisted for many years after the war's conclusion. http://en.wikipedia.org/wiki/Vietnam_War
Views: 3961193 The Film Archives
Web Programming - Computer Science for Business Leaders 2016
 
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noSQL, SQL; APIs; JavaScript
Views: 37715 CS50
Week 10
 
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Views: 33868 CS50
Red Tea Detox
 
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Red Tea Detox Click Here:https://goo.gl/2rKVHL
Views: 56746 Safe Sound Gold
Words at War: Lifeline / Lend Lease Weapon for Victory / The Navy Hunts the CGR 3070
 
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The United States Merchant Marine is the fleet of U.S. civilian-owned merchant vessels, operated by either the government or the private sector, that engage in commerce or transportation of goods and services in and out of the navigable waters of the United States. The Merchant Marine is responsible for transporting cargo and passengers during peace time. In time of war, the Merchant Marine is an auxiliary to the Navy, and can be called upon to deliver troops and supplies for the military. Merchant mariners move cargo and passengers between nations and within the United States, operate and maintain deep-sea merchant ships, tugboats, towboats, ferries, dredges, excursion vessels, and other waterborne craft on the oceans, the Great Lakes, rivers, canals, harbors, and other waterways. As of 2006, the United States merchant fleet numbered 465 ships[2] and approximately 100,000 members. Seven hundred ships owned by American interests but registered, or flagged, in other countries are not included in this number. The federal government maintains fleets of merchant ships via organizations such as Military Sealift Command and the National Defense Reserve Fleet. In 2004, the federal government employed approximately 5% of all American water transportation workers.[3] In the 19th and 20th centuries, various laws fundamentally changed the course of American merchant shipping. These laws put an end to common practices such as flogging and shanghaiing, and increased shipboard safety and living standards. The United States Merchant Marine is also governed by several international conventions to promote safety and prevent pollution. The merchant marine is a civilian auxiliary of the U.S. Navy, but not a uniformed service, except in times of war when, in accordance with the Merchant Marine Act of 1936, mariners are considered military personnel. In a time of "national emergency", the President can permanently seize any merchant marine vessel in return for fair compensation, or commandeer it for temporary use with no compensation if returned in reasonable condition. Mariners are well represented in the visual arts. Merchant seaman Johnny Craig was already a working comic book artist before he joined up, but Ernie Schroeder would not start drawing comics until after returning home from World War II. Seaman Haskell Wexler won two Academy Awards, the latter for a biography of his shipmate Woody Guthrie. Merchant sailors have also made a splash in the world of sport. Drew Bundini Brown was Muhammad Ali's assistant trainer and cornerman, and Joe Gold went made his fortune as the bodybuilding and fitness guru of Gold's Gym. In football, Dan Devine and Heisman Trophy winner Frank Sinkwich excelled. Seamen Jim Bagby, Jr. and Charlie Keller played in Major League Baseball. In track and field, seamen Cornelius Johnson and Jim Thorpe both won Olympic medals, though Thorpe did not get his until thirty years after his death. Writers Richard Henry Dana, Jr., Ralph Ellison, Herman Melville, and Jack Vance and were merchant mariners, as were prominent members of the Beat movement: Allen Ginsberg, Herbert Huncke, Bob Kaufman, Jack Kerouac, and Dave Van Ronk. Peter Baynham, the coauthor of the film Borat, and Donn Pearce, who wrote the movie Cool Hand Luke, were formerly merchant mariners. Filmmaker Oliver Stone won multiple Academy Awards. WWII-era merchant mariners played well-known television characters. The list includes Raymond Bailey (who played Milburn Drysdale on The Beverly Hillbillies); Peter Falk (who played the title character on Columbo); James Garner (who played Jim Rockford on The Rockford Files); Jack Lord (who played Steve McGarrett on the original Hawaii Five-0); Carroll O'Connor (who played Archie Bunker on All in the Family); Denver Pyle (who played Uncle Jesse Duke on The Dukes of Hazzard); and Clint Walker (who played Cheyenne Bodie on Cheyenne). Songwriter and lyricist Jack Lawrence was a mariner during World War II and wrote the official United States Merchant Marine song, "Heave Ho! My Lads, Heave Ho!" while a young lieutenant stationed at Sheepshead Bay, Brooklyn, in 1943. Writer/businessman Robert Kiyosaki claimed to have been a mariner. Paul Teutul, Sr., the founder of Orange County Choppers and Orange County Ironworks, was a merchant mariner during the Vietnam War. http://en.wikipedia.org/wiki/United_States_Merchant_Marine
Views: 120564 Remember This
Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy
 
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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
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Dragnet: Claude Jimmerson, Child Killer / Big Girl / Big Grifter
 
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Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
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